Abstract
The late modernist architectural heritage of Central and Eastern Europe has undergone a peculiar transformation in the last couple of years. I consider this transformation from the perspective of the taming of ugly late modernist buildings into harmless miniatures as embedded in the grander phenomenon of architectural reconstructivism, concomitant with the demolition of late modernist building stock. This article aims to explore the current trend for reconstructivism in architecture by applying a two-fold conceptual framework, projection as a discursive method and Mark Cousins’s theory of ugliness to inspect the interwovenness of diverse socio-cultural factors by unraveling the manifold ways in which late modernist architectures are perceived with unease and discomfort in post-socialist contexts. These hyoptheses are tested in the case of the Electrical Power Distribution Station by architect Csaba Virág in Budapest.
Original language | English |
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Pages (from-to) | 161-179 |
Number of pages | 18 |
Journal | Dimensions. Journal of Architectural Knowledge |
Volume | 2 |
Issue number | 3 |
Early online date | 7 Nov 2022 |
DOIs | |
Publication status | Published - 22 Nov 2022 |
Keywords
- architecutral heritage
- ugliness
- aesthetics in architecture
- Late Modernism
- socialist-modernist architecture